Pros and Cons: The Case For/Against Clint 7 A Fistful of Movies: Rowdy Yates and the Man With No Name 24 The Rising Star: Clintus, Siegelini, and Company 56 Any Which Way He Can: From Misty and Harry to High Plains Drifter and The Outlaw Josey Wales 87 Portrait of the Artist as a Major Player: From Pale Rider to Bird 140 Invictus: From John Huston to Jersey Boys 161 Eastwood’s Politics: ‘Leave everyone alone’ 219 Epilogue: ‘If somebody’s dumb enough to ask me…’ 243 Filmography as Director Index 258įor Mikita and Jeremy and Tanya and Craig and Kim with love and gratitude Printed in the United States of America c 10 9 8 7 6 5 4 3 2 1 p 10 9 8 7 6 5 4 3 2 1 This book is printed on paper with recycled content.
1990 $20 dollar bill serial number lookup series#
paper) ISBN 978-1-1 (e-book) Series design by Rob Bowden Design Cover image of Clint Eastwood courtesy of the Kobal CollectionĬolumbia University Press books are printed on permanent and durable acid-free paper. Chichester, West Sussex Copyright © David Sterritt 2014 All rights reserved Wallflower Press® is a registered trademark of Columbia University Press A complete CIP record is available from the Library of Congress ISBN 978-0-4 (cloth : alk. The cinema of CLINT EAST WOOD chronicles of americaĭavid Sterritt WALLFLOWER PRESS london & new yorkĪ Wallflower Press Book Wallflower Press is an imprint of Columbia University Press Publishers Since 1893 New York. The cinema of K AT H R Y N B I G E L O W : hollywood transgressor edited by D E B O R A H J E R M Y N & S E A N R E D M O N D R O M E R O : knight of the living dead (second edition) TONY WILLIAMS
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The cinema of K R Z Y S Z T O F K I E S L O W S K I : variations on destiny and chance M A R E K H A LT O F The cinema of D AV I D LY N C H : american dreams, nightmare visions edited by E R I C A S H E E N & A N N E T T E D A V I S O N The cinema of N A N N I M O R E T T I : dreams and diaries E WA M A Z I E R S K A & L A U R A R A S C A R O L I The cinema of M I K E L E I G H : a sense of the real G A R RY WAT S O N The cinema of J O H N C A R P E N T E R : the technique of terror edited by I A N C O N R I C H & D A V I D W O O D S The cinema of R O M A N P O L A N S K I : dark spaces of the world edited by J O H N O R R & E L Z B I E T A O S T R O W S K A The cinema of T O D D H A Y N E S : all that heaven allows edited by J A M E S M O R R I S O N The cinema of S T E V E N S P I E L B E R G : empire of light NIGEL MORRIS The cinema of A N G L E E : the other side of the screen (second edition) WHITNEY CROTHERS DILLEY The cinema of T E R R E N C E M A L I C K : poetic visions of america (second edition) edited by H A N N A H P A T T E R S O N The cinema of W E R N E R H E R Z O G : aesthetic ecstasy and truth BRAD PRAGER The cinema of L A R S V O N T R I E R : authenticity and artifice CAROLINE BAINBRIDGE The cinema of D AV I D C R O N E N B E R G : from baron of blood to cultural hero E R N E S T M AT H I J S The cinema of J O H N S A Y L E S : a lone star MARK BOULD The cinema of S A L LY P O T T E R : a politics of love S O P H I E M AY E R The cinema of M I C H A E L H A N E K E : europe utopia edited by B E N M c C A N N & D A V I D S O R F A The cinema of T H E D A R D E N N E B R O T H E R S : responsible realism PHILIP MOSLEY The cinema of TA K E S H I K I TA N O : flowering blood SEAN REDMOND The cinema of T E R R Y G I L L I A M : it’s a mad world edited by J E F F B I R K E N S T E I N, A N N A F R O U L A & K A R E N R A N D E L L The cinema of S T E V E N S O D E R B E R G H : indie sex, corporate lies, and digital videotape A N D R E W D E WA A R D & R. The cinema of B É L A TA R R : the circle closes A N D R Á S B Á L I N T K O VÁ C S The cinema of R I C H A R D L I N K L AT E R : walk, don’t run ROB STONE The cinema of A K I K A U R I S M Ä K I : authorship, bohemia, nostalgia, nation ANDREW NESTINGEN
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The cinema of M I C H A E L M A N N : vice and vindication J O N AT H A N R AY N E R The cinema of R A Ú L R U I Z : impossible cartographies MICHAEL GODDARD The cinema of M I C H A E L W I N T E R B O T T O M : borders, intimacy, terror BRUCE BENNETT The cinema of A L E X A N D E R S O K U R O V : figures of paradox J E R E M I S Z A N I AW S K I The cinema of A G N È S VA R D A : resistance and eclecticism DELPHINE BÉNÉZET The cinema of I S T VÁ N S Z A B Ó : visions of europe JOHN CUNNINGHAM Other selected titles in the Directors’ Cuts series: the cinema of J A M E S C A M E R O N : bodies in heroic motion JAMES CLARKE Eastwood’s Politics: ‘Leave everyone alone’.Įpilogue: ‘If somebody’s dumb enough to ask me…’. Invictus: From John Huston to Jersey Boys.ħ. Portrait of the Artist as a Major Player: From Pale Rider to Bird.Ħ. Any Which Way He Can: From Misty and Harry to High Plains Drifter and The Outlaw Josey Wales.ĥ. The Rising Star: Clintus, Siegelini, and Company.Ĥ. A Fistful of Movies: Rowdy Yates and the Man With No Name.ģ.
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Pros and Cons: The Case For/Against Clint.Ģ.